humanism

European Humanism and Its Challenges — Ljubljana 2017

(Pho­tos: Mat­jaž Rebolj, Luka Škulj, Ivo Šte­fanič, and the sym­po­sium par­tic­i­pants.)

Inter­na­tion­al Sym­po­sium on Euro­pean Human­ism and Its Chal­lenges, which took place in Ljubl­jana on Sep­tem­ber 8–9, 2017, was organ­ised by Depart­ment of Clas­si­cal Philol­o­gy, Fac­ul­ty of Arts, Uni­ver­si­ty of Ljubl­jana; Depart­ment of Medieval Stud­ies, Cen­tral Euro­pean Uni­ver­si­ty, Budapest; Fac­ul­ty of “Artes Lib­erales,” Uni­ver­si­ty of War­saw; Sloven­ian Com­par­a­tive Lit­er­a­ture Asso­ci­a­tion; and Vileni­ca Inter­na­tion­al lit­er­ary fes­ti­val. The sym­po­sium was under the hon­orary patron­age of His Excel­len­cy Mr Borut Pahor, the Pres­i­dent of the Repub­lic of Slove­nia.

About the Symposium

Aulus Gel­lius, the Roman anti­quar­i­an from the sec­ond cen­tu­ry AD, wrote that his con­tem­po­raries used the term human­i­tas with the mean­ing of the Greek word phil­an­thropia, benev­o­lence towards oth­ers, even though the mas­ters of Latin lan­guage had pre­vi­ous­ly used the noun to mark a spe­cial type of edu­ca­tion. Even then, the word could mean both an eth­i­cal posi­tion and a par­tic­u­lar cul­tur­al and edu­ca­tion­al mod­el. Dur­ing sub­se­quent peri­ods, until today, the adjec­tive human­ist was asso­ci­at­ed with these two dif­fer­ent areas. But Gel­lius, as well as his pre­de­ces­sor Cicero, saw both mean­ings as close­ly inter­twined: he con­sid­ered such edu­ca­tion as nec­es­sary to cul­ti­vate human­i­ty (human­i­tas), which is both its foun­da­tion and its goal. In the fol­low­ing cen­turies, it found its expres­sion in the con­vic­tion about the fun­da­men­tal val­ue of each indi­vid­ual; com­plex­i­ty of mod­ern civil­i­sa­tion, diver­si­ty of its cul­tur­al forms and sen­si­tiv­i­ty of artis­tic expres­sions, as well as human rights and democ­ra­cy, are large­ly the result of this process.

If the val­ue of the indi­vid­ual grew from con­tin­u­ous search for integri­ty as a means of dis­cov­er­ing one’s mea­sure, what is the present state of such human­is­tic atti­tude? And what are its con­se­quences for edu­ca­tion, for art, for under­stand­ing of human being, of the world, of life? It seems that recent­ly the ques­tion about the fate of human­ism has become more dif­fi­cult, and per­haps more impor­tant. How to rec­on­cile the objec­tivist sci­ence with the cul­tur­al val­ues, which are root­ed in the unique impor­tance of the human per­son and which, stric­to sen­su, can­not be claimed sci­en­tif­i­cal­ly? How come that those anthro­po­log­i­cal, cul­tur­al and edu­ca­tion­al mod­els, which are relat­ed to the human­ism of antiq­ui­ty and of the renais­sance, as well as to nine­teenth-cen­tu­ry neo­hu­man­ism, so often lim­it them­selves to the apolo­getic and moral­is­tic dis­course when faced with the prag­ma­tist, tech­ni­cist and econ­o­mistic ide­ol­o­gy?

The pur­pose of the sym­po­sium was to bring togeth­er schol­ars from dif­fer­ent fields of human­i­ties, arts and lit­er­a­ture, and to inves­ti­gate the present social and spir­i­tu­al con­di­tion, when it some­times seems that the role of human­is­tic tra­di­tion is dimin­ish­ing. The papers shed light on these chal­lenges, dis­cussing the role of the arts and their rel­e­vance for the world and the human per­son, as well as their role in the future of an open and sol­i­dar­i­ty-based demo­c­ra­t­ic soci­ety.

Vilenica International Literary Festival

Vileni­ca Inter­na­tion­al Lit­er­ary Fes­ti­val, a gath­er­ing of poets, prose writ­ers, drama­tists, essay­ists, and schol­ars, is orga­nized by the Slovene Writ­ers’ Asso­ci­a­tion in col­lab­o­ra­tion with the Cul­tur­al Cen­tre Vileni­ca.

The cli­max of the event is the pre­sen­ta­tion of the Vileni­ca Inter­na­tion­al Lit­er­ary Prize, award­ed by the Slovene Writ­ers’ Asso­ci­a­tion in accor­dance with its statute to a Cen­tral Euro­pean author for out­stand­ing achieve­ments in the field of lit­er­a­ture and essay writ­ing. So far, Vileni­ca lau­re­ates were Yuri Andrukhovych (2017), Dubrav­ka Ugrešić (2016), Jáchym Topol (2015), Lás­zló Krasz­na­horkai (2014), Olga Tokar­czuk (2013), David Alba­hari (2012), Mircea Cărtăares­cu (2011), Dže­vad Kara­hasan (2010), Clau­dio Magris (2009), Andrzej Sta­siuk (2008), Goran Ste­fanovs­ki (2007), Mio­drag Pavlović (2006), Ilma Rakusa in Karl-Markus Gauß (2005), Brigitte Kro­nauer (2004), Mirko Kovač (2003), Ana Blandi­ana (2002), Jaan Kaplin­s­ki (2001), Slavko Mihal­ić (2000), Eri­ca Pedret­ti (1999), Péter Nádas (1998), Pavel Vilikovsky (1997), Adam Zaga­jew­s­ki (1996), Adolf Muschg (1995), Josip Osti (1994), Libuše Moníková (1993), Milan Kun­dera (1992), Zbig­niew Her­bert (1991), Tomas Ven­clo­va (1990), Jan Ská­cel (1989), Peter Eszter­házy (1988), Peter Hand­ke (1987) and Ful­vio Tomiz­za (1986).

Programme

Venues: Sloven­ian Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12 | Sloven­ian Nation­al Gallery (audi­to­ri­um), Cankar­je­va 20 | Šes­ti­ca Restau­rant, Sloven­s­ka ces­ta 40, Ljubl­jana | Vileni­ca Cave, near the vil­lage of Lokev | Muha Restau­rant, Lokev 138

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Friday, September 8th

10.00–11.30 Reg­is­tra­tion | Sloven­ian Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

11.30 Open­ing address

Session 1 (chaired by David Movrin)

12.00–13.00 Györ­gy E. Szönyi, CEU, Hun­gary: Broad­en­ing Hori­zons of Human­ism (keynote address)

13.30–14.30 Human­ism in Art: Guid­ed Walk around Nation­al Gallery

14.30–16.00 Lunch in Šes­ti­ca (est. 1776), Sloven­s­ka ces­ta 40

*  *  *

Fri­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

16.00–17.30 Session 2A (chaired by Ewa Łukaszyk)

Elż­bi­eta Ole­chows­ka, Artes lib­erales, War­saw | Inno­v­a­tive Diver­si­ty of Aca­d­e­m­ic Offer as a Response to Audio­vi­su­al Prop­a­ga­tion of Sec­ond-Hand Knowl­edge of the Clas­si­cal Human­i­ties

Marko Mar­inčič, Fac­ul­ty of Arts, Ljubl­jana | Verg­e­rio the Younger between Latin Human­ism and the ‘Prag­mat­ic Nation­al­ism’ of the Ref­or­ma­tion

Petra Mut­lo­va, Masaryk Uni­ver­si­ty, Brno | Jan Hus as an inspi­ra­tion in the 21st cen­tu­ry

*  *  *

17.30–18.00 Cof­fee break

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Fri­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

18.00–19.30 Session 3A (chaired by Marko Marinčič)

Brane Sene­gačnik, Fac­ul­ty of Arts, Ljubl­jana | Human­ist Under­stand­ing of Human: Human­ist Read­ings of Antigone

Mar­co Rus­so, Uni­ver­si­ta degli Stu­di di Saler­no | What is it like to be a Human­ist?

Mat­ic Koci­jančič, Fac­ul­ty of Arts, Ljubl­jana | Heidegger’s read­ing of Antigone and his cri­tique of human­ism

*  *  *

Fri­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

16.00–17.30 Session 2B (chaired by Marco Russo)

Žarko Paić, Uni­ver­si­ty of Zagreb | Tech­nos­phere and the end of sub­ject: The cul­ture that is left

Dean Komel, Fac­ul­ty of Arts, Ljubl­jana | The cri­sis of “Human­ism” and the con­tem­po­ral­i­ty of human sci­ences

Rafał Zaw­isza, Uni­ver­si­ty of War­saw, Fac­ul­ty of “Artes Lib­erales” | On the unre­strained spir­it of human­ism

*  *  *

17.30–18.00 Cof­fee break

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Fri­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

18.00–19.30 Session 3B (chaired by Aleksandar Gatalica)

Neža Zajc, Insti­tute of Cul­tur­al His­to­ry, Sloven­ian Acad­e­my | The Con­cept of Human­is­tic Indi­vidu­um in the View of St. Max­im the Greek and Enea Sil­vio Pic­colo­mi­ni

Bojana Tomc, Dioce­san clas­si­cal gym­na­si­um, Ljubl­jana | The motif of free­dom, human dig­ni­ty, and aware­ness of com­mon human des­tiny in antiq­ui­ty, in renais­sance and in Cer­vantes

Andrej Tomažin, Ljubl­jana | Lit­er­a­ture after fini­tude: Reza Negarestani’s Cyclono­pe­dia and the genre of the­o­ry-fic­tion

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20.00 Din­ner

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Saturday, September 9th

Sat­ur­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

9.00–10.30 Session 4A (chaired by György E. Szönyi)

Marko Uršič, Fac­ul­ty of Arts, Ljubl­jana | Pico del­la Miran­dola and the human dig­ni­ty

Katarzy­na Jerzak, Pomeran­ian Uni­ver­si­ty in Słup­sk | The med­i­cine cab­i­net and the book­shelf: PTSD and oth­er anx­i­ety dis­or­ders in Mar­tin Buber, Mikhail Bakhtin, Boris Cyrul­nik and Jonathan Shay

Igor Škam­per­le, Fac­ul­ty of Arts, Ljubl­jana | Pico del­la Miran­dola and forg­ing one’s own image: The lure of the bor­der and the Renais­sance

*  *  *

10.30–11.00 Cof­fee break

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Sat­ur­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

11.00–12.30 Session 5A (chaired by Brane Senegačnik)

Alek­san­dar Gatal­i­ca, Bel­grade | The Twen­ti­eth Cen­tu­ry – the cen­tu­ry that chose to be art itself

Tomaž Toporišič, Acad­e­my of The­atre Radio, Film and Tele­vi­sion, Ljubl­jana | What­ev­er hap­pened to Human­ism in Today’s Per­for­mance Art?

Alen Šir­ca, Fac­ul­ty of Arts, Ljubl­jana | Dante’s “Tran­shu­man­ism” and its impli­ca­tions for con­tem­po­rary poet­ry

*  *  *

12.30–13.30 Lunch in Šes­ti­ca, Sloven­s­ka ces­ta 40

*  *  *

Sat­ur­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

13.30–15.00 Session 6A (chaired by Dean Komel)

Robert Kuret, Ljubl­jana | The indi­vidu­um as a con­se­quence of the rela­tion­ship with the Oth­er and towards the Oth­er: the Oth­er as a bet­ter me, the Oth­er as an imper­fect me

Petar Jevre­mović, Fac­ul­ty of Arts, Bel­grade | Think­ing as Sub­ver­sion

Man­ca Erzetič | Tes­ti­mo­ny of being human

*  *  *

15.00–15.30 Cof­fee break

*  *  *

Sat­ur­day Sec­tion A | Nation­al Gallery, audi­to­ri­um, Cankar­je­va 20

15.30–17.00 Session 7A (chaired by Katarzyna Jerzak)

Sibil Grun­tar Vil­fan, CEU, Budapest | Qua­si nani super humeros gigan­tum? Reusing Clas­si­cal and Medieval Quo­ta­tions in Hagio­graph­ic Dis­course in the Area of Liège (10th cen­tu­ry)

Edoar­do Pec­chi­ni, Fac­ul­ty of “Artes Lib­erales”, Uni­ver­si­ty of War­saw | Pro­mot­ing Men­tal Health through Clas­sics: Her­cules as Train­er in Today‘s Labours of Chil­dren and Young Peo­ple

*  *  *

Sat­ur­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

9–00–10.30 Session 4B (chaired by Elzbieta Olechowska)

David Movrin, Fac­ul­ty of Arts, Ljubl­jana | Chom­mo­da and hin­sidias: Cat­ul­lan sham­ing of the par­venu between antiq­ui­ty, renais­sance and moder­ni­ty

Áron Orbán, CEU, Budapest | Vari­a­tions for micro-macro­cos­mi­cal rela­tions in Con­rad Celtis’s Amores

Son­ja Weiss, Fac­ul­ty of Arts, Ljubl­jana | Le fiere d’Orfeo: Side Paths in the Myth of the Human­iza­tion of Mankind

*  *  *

10.30–11.00 Cof­fee break

*  *  *

Sat­ur­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

11.00–12.30 Session 5B (chaired by Marko Uršič)

Markus Ker­sten, Uni­ver­sität Ros­tock, Hein­rich Schlie­mann-Insti­tut für Alter­tum­swis­senschaften | Human­ism that has gone sour? The Sta­tus of ‘clas­si­cal’ lit­er­ary cul­ture in His­tor­i­cal Roman Poet­ry

Matej Hriberšek, Fac­ul­ty of Arts, Ljubl­jana | Lit­er­ary pro­duc­tion of Sloven­ian human­ists of 15th and 16th cen­tu­ry in Latin and the ideas of Euro­pean human­ism

Ewa Łukaszyk, Uni­ver­si­ty of War­saw, Fac­ul­ty of “Artes Lib­erales” | Con­gre­ga­tio mun­di today: Neo­hu­man­ist per­spec­tives of Guil­laume Pos­tel (1510–1581)

*  *  *

12.30–13.30 Lunch in Šes­ti­ca, Sloven­s­ka ces­ta 40

*  *  *

Sat­ur­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

13.30–15.00 Session 6B (chaired by Sonja Weiss)

Olga Mark­ič, Fac­ul­ty of Arts, Uni­ver­si­ty of Ljubl­jana | Chal­lenges to the human­is­tic image

Gábor Almási, ELTE, Budapest | Edu­ca­tion and dis­ci­pline: work eth­ic in the 16th cen­tu­ry

Gre­gor Pobežin, Uni­ver­si­ty of Pri­mors­ka, Kop­er | Magna enim est spes de pace: Petrus Paulus Verg­erius and the coun­cil of Trent

*  *  *

15.00–15.30 Cof­fee break

*  *  *

Sat­ur­day Sec­tion B | Writ­ers’ Asso­ci­a­tion Hall, Tomšiče­va uli­ca 12

15.30–17.00 Session 7B (chaired by Petra Mutlova)

Adam Łukaszewicz, War­saw Uni­ver­si­ty | Ambi­gu­i­ty of Knowl­edge and the Chal­lenge of Human­ism

Dávid Mol­nár, MTA-ELTE, Budapest | The human­ist inter­pre­ta­tion of erot­ic dreams

Blaž Zabel, Durham Uni­ver­si­ty | The Future of Clas­si­cal Stud­ies in a Glob­alised World

*  *  *

17.00–18.30 Excur­sion to Vileni­ca (by bus)

18.30–19.30 Final award cer­e­mo­ny (in Vileni­ca cave), with lit­er­ary read­ings by Inger Elis­a­beth Hansen (Nor­way), Ker­rie O’Brien (Ire­land), Esther Kin­sky (Ger­many) and Fahredin She­hu (Koso­vo); and a speech of Vileni­ca 2017 lau­re­ate, Yuri Andrukhovych

19.30 Farewell din­ner, togeth­er with Vileni­ca authors in Karst restau­rant “Muha” (est. 1679); fol­lowed by a musi­cal con­cert

23.00 Return to Ljubl­jana

Participants and abstracts

Euro­pean Human­ism and Its Chal­lenges book­let — final ver­sion

Gallery
Staying in Ljubljana
All our inter­na­tion­al guests were stay­ing in Post­grad­u­ate Stu­dents Home (“Dom podiplom­cev”), Gosar­je­va 9, Ljubl­jana, tele­phone +386–1‑580–56-00, where our vis­it­ing pro­fes­sors usu­al­ly stay. The home is locat­ed near one of the main arte­r­i­al roads (Duna­js­ka ces­ta) and is reach­able by city busses 6, 8 and 11. As a small token of wel­come to all the vis­it­ing Latin­ists, the bus stop has a Latin name, Mer­ca­tor. To reach it from the air­port, one can use pub­lic bus ser­vice no. 28 which oper­ates between Ljubl­jana train and bus sta­tion and the air­port and which runs every hour. (Depar­tures from Ljubl­jana air­port: 5.00, 6.05, 7.00, 8.00, 9.00, 10.00, 11.00, 12.00, 13.00, 14.00, 15.00, 16.00, 17.00, 18.00, 19.00, 20.00.) If you let the dri­ver know, the air­port bus will also make a stop at the Mer­ca­tor stop; you only need to cross the road (via sub­way), go around the grey build­ing (“Duna­js­ka 106”) – and you are there. The ride from the air­port takes about 40 min­utes, the cost is around 4 Euros and you buy your tick­ets direct­ly from the dri­ver. There is also a pri­vate shut­tle ser­vice, which is run­ning less fre­quent­ly, but is a bit faster. If you take a taxi from the air­port, it should cost you about 35 euros.
Organizing Committee

The Orga­niz­ing Com­mit­tee includes Dejan Kos, Sloven­ian Com­par­a­tive Lit­er­a­ture Asso­ci­a­tion; David Movrin, Depart­ment of Clas­si­cal Philol­o­gy, Uni­ver­si­ty of Ljubl­jana, Fac­ul­ty of Arts; Elż­bi­eta Ole­chows­ka, Fac­ul­ty of “Artes Lib­erales,” Uni­ver­si­ty of War­saw; Brane Sene­gačnik, Depart­ment of Clas­si­cal Philol­o­gy, Uni­ver­si­ty of Ljubl­jana, Fac­ul­ty of Arts; and Katal­in Szende, Depart­ment of Medieval Stud­ies, Cen­tral Euro­pean Uni­ver­si­ty, Budapest.